Philadelphia’s Dudd Haus: A Bold New Hub for Underrepresented Design
Philadelphia now has a permanent stage for emerging, avant-garde design with the opening of Dudd Haus, a gallery launched by Chris Held, co-founder of the ongoing design collective Jonald Dudd. Since its inception in 2015 during NYCxDesign, Jonald Dudd has championed experimental and underrepresented voices in design, and Dudd Haus brings that vision into a physical, year-round space in Old City, Philadelphia.
The gallery’s debut exhibition features furniture, lighting, and objects from 25 of the most exciting talents in contemporary design, many of whom have previously appeared in Jonald Dudd’s itinerant shows. Presented on striking red plinths against plush crushed-velvet curtains, the works create a dramatic, immersive experience, with a central walkway guiding visitors through a curated selection of tables, seating, storage, and lighting.
“Dudd Haus is a natural expansion of the collectivism that has grown around Jonald Dudd over many years,” Held explains. “It continues to address industry pressures, but in a sustained, long-term way. Our goal is collaboration, increased visibility, and ultimately a sustainable livelihood for designers through their work.”
The gallery is housed in a historic building with a long, narrow layout. The front area functions as a retail space, offering smaller objects, literature, and merchandise from studios such as Craighill and Fort Standard, while the back showcases the main exhibition. Checkerboard black-and-white tiles cover the floor, and a four-by-four grid of open wooden box shelves displays additional objects and books, creating a layered, gallery-meets-boutique environment.
Permanent fixtures in the gallery were designed by Held’s own studio, Nice Condo, in collaboration with designer Charles Constantine’s studio, Bestcase. Notable pieces in the inaugural show include a carved limestone table by Mike Newins, a scrying black glass mirror, a stainless steel and wired glass screen by Carl Durrow, and other bold, experimental designs that blur the line between functional object and art.
Dudd Haus also bridges the physical and digital worlds: all pieces on display are available for purchase through the gallery’s online store and via 1st Dibs, allowing design enthusiasts worldwide to engage with the collection. Looking ahead, the gallery will participate in Collectible New York (September 4–7, 2025), presenting work from a curated group of 12 designers, including sculptural chairs made from melted plastic, candle holders formed from road construction asphalt, and mortise-and-tenon painted tables.
Jonald Dudd, founded by Held, Lydia Cambron, and Ben Garthus, has always offered an alternative to traditional gallery models, providing representation and advocacy for independent designers outside capital-heavy institutions. Since its first show, Jonald Dudd has showcased over 200 designers whose work challenges conventional industry and cultural norms, creating a platform for experimentation, innovation, and underrepresented voices in contemporary design.
Dudd Haus now extends that mission into a permanent, immersive gallery space—blending bold experimentation, commercial accessibility, and the collaborative ethos that has defined Jonald Dudd from the start.